UNWRITTEN: Get Your Tickets NOW!

A debut Fringe show about disability in Scotland…

Edinburgh Fringe poster for BELLA FREAK: UNWRITTEN.

Friday August 4th – Saturday August 12th (not 6th) @ 5.15pm Theatre 3, The Space @ Surgeon’s Hall (Venue 53)

Performances on August 4th, 8th and 12th will be Accessible performances with a BSL interpreter, captioning for Deaf/deaf audience members, and audio description for the visually impaired.

Tickets for Bella Freak: UNWRITTEN are now on sale from the Edinburgh Festival Fringe box office. Find out more about the show below, and click here to purchase.

The Boy Without Superpowers…
The Girl Who Spoke to the Dead…
The Man Who Broke Chains…

Funny, poignant, and feisty, UNWRITTEN collects the true-life experiences of three disabled individuals in the 20th and 21st centuries, as a fundamental part of Scotland’s national story. Disability is frequently discussed in ways designed to make the non-disabled feel comfortable but, in this newly devised production, the audience is invited to leave their comfort at the door…

UNWRITTEN is produced by Disability History Scotland, with a grant from the Heritage Lottery Fund under their Stories, Stones & Bones initiative, as part of the Year of History, Heritage, and Archaeology. The show is scripted and performed by Sasha Callaghan, David Nicol, and Stuart Pyper, and directed by Sara-Jane McGeachy.

UNWRITTEN runs from August 4th-12th (not Sunday 6th) at Theatre 3, The Space @ Surgeon’s Hall (Venue 53), showtime 5.15pm. Performances on August 4th, 8th, and 12th include a BSL interpreter, closed captioning for Deaf/deaf audience members, and audio description.

Press Contact: Stuart Pyper
admin@disabilityhistoryscotland.co.uk / 07590 521994
Twitter: @DisHistSco / @BellaFreakOn


David Nicol – The Man Who Broke Chains


Sasha Callaghan – The Girl Who Spoke to the Dead


Stuart Pyper – The Boy Without Superpowers

We’ll also be regularly updating this website, the DHS / Bella Freak Twitter feeds, and the DHS Facebook page with more information about the show’s writing and rehearsal stages.


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